Starring: Sunny Deol, Randeep Hooda, Vineet Kumar Singh, Regina Cassandra, Ajay Ghosh
direction: Gopichand Malineni
L. Ravichander
Gopichand Malineni is here! “Beware” Victor Fleming (“Disappearing with the Wind”), Francis Ford Coppola (“Godfather”), for evil power and portrayal, Costa Gavras (“Missing, Z”), and Steven Spielberg (“Steven Spielberg (“Steven Spielberg”) Spielberg (“Schindler’s List”), bathing in Poignance with deadly reality. The filmmaker, in his storytelling debut, opposed the 153-minute pan-Indian Telugu background, all of which included: “social drama”, “rich in poverty split”, “corruption and honest” representation, “stubborn patriot”, “stubborn patriot”, “music”, “music”, “female empowerment”, ” a-la-carte. Our own Sandeep Reddy Vanga and even Anil Sharma (‘Gadar’ franchise) may also feel “threatened” in their niche. Imagine the ‘talent’ and ‘promise’ in a critical filmmaker who for scale has ‘matched’ the skills of K. Asif (‘Mughal-e-Azam’), Mehboob Khan (‘Mother India’), Ramesh Sippy (‘Sholay’), SS Rajamouli (‘Baahubali’), and the likes – who have the pride of place in the gallery of the opulent.
Starting in the backwaters of Jafna in Sri Lanka, we have four immigrants: Ranatepha (Randeep Hooda), his brother Somdutt (Vineet Kumar Singh) and two others, settled near Chirala on the AP coast. They established a kingdom among the 40 villages in Mottupalli. The siblings unleashed the reign of terror with the help of radical mom (Swaroopa Gosh), which may make Adolf Hitler look like a scout.
Filmmakers won’t be mean. He called the shovel and used it properly. Our contemporary film is a kind of speech about being among great and skilled filmmakers. The story strongly tells how immigrants and gangs control the polity and exploit them in a way that can teach North Korea’s Kim Jong-un a lesson or two. Ranatunga’s wife Bharti (Regina Cassandra) joined, and they didn’t even blink, even though the female police officers led by Si Ujjayalakshmi (Saiyami Kher) were deprived, sealed, and even raped!
Gopichand breaths or reasons for a minute, beliefs belonging to the school are more important than logic. Small details like reasoning, proportioning, grace won’t get in the way of him. He thrives in challenging them. When a stranger arrives at the village, something goes wrong. The stranger is a stunt between the mutated strangers of Lal Bahadur Shastri’s “Jai Jawan Jai Kisan”, fighting the leaders of the lurking bad guys: Rama Subba Reddy (Ajay Ghosh), somdutt and ranatunga. The population of the entire village is repeatedly attacked, you have consistent graphic details and an unparalleled commitment to his cause.
The stranger declares himself a jaat, and therefore a physical combination of Balakrishna, Rajni Sir, Ravi Teja and the stated species. He declared that North India knew his “Dhai Kilo Ka Haath” and that he was on a patriotic pilgrimage. Since Messenger and Maker are in perfect synchronization, it is inevitable that it is a field day for the masses. All of this says it all.
Sunny Deol is Jaat. This illustrates the obvious – just like everything else. The film is about patriotic muscle independence, silent declarations and benign and affordable survival. This may also apply to the audience.
The song “Bhaage Re Bhaage Dushman” in the background has a profound message – despite having equal objects.
